Setting up a Model at Home

Transform any room into a life drawing studio with a model and a basic understanding of universal lighting techniques. Artist Savannah Tate Cuff demonstrates how to apply these principles to light both your model and your drawing or painting surface effectively. Consider your lighting setup and plan ahead for the best results.

Savannah begins by emphasizing the importance of using a single light source when lighting your subject. This keeps the lighting simple, with clear light and shadow contrasts, helping to create a stronger drawing. The light source can be either natural or artificial. For centuries, artists have favored natural light—particularly from the north—as the ideal choice, although it’s not always available. If you’re lucky enough to have north light, take full advantage of it! Savannah recommends using tracing paper on windows with south or other directional light to maintain consistent lighting.

Artificial light, like the LED panel Savannah uses in her studio, offers the most reliable and adjustable light. Position the light to the side so the model is half lit and half in shadow when you are facing them. By lighting the model from a three-quarter angle, you can create a Rembrandt lighting effect, with a striking triangle of shadow on the model’s cheek. Alternatively, direct the light straight on for a subtler shadow effect.

Lastly, ensure that your drawing or painting surface has enough light without interfering with the lighting on the model. Keep the light on the model as your primary focus. Savannah shares how 19th-century artists often used two light sources, separated by a curtain, to preserve the integrity of their single light on the subject.