Toning Paper

Why tone paper? Artist Savannah Tate Cuff tones paper for several reasons. First, the tone helps bridge the gap between light and dark values, making the drawing process easier. Second, toned paper provides the opportunity to highlight with white wash or white chalk. Third, custom toning allows you to control both the temperature and value of the paper. Savannah demonstrates two methods of toning: one using inks and/or gouache paints mixed with water, and the other using charcoal.

For the ink/gouache method, Savannah works on Fabriano 140-lb. hot-press watercolor paper, using a combination of inks and gouache paints (either or both) and shows the variations you can achieve. Watercolor paper has two sides, with the watermark visible on the right side. Savannah starts by adding neutral dark ink to a bowl of water, then incorporates sepia ink and gouache, mixing thoroughly. She tests the mixture on a piece of paper, adjusts, and tests again, using a wide wash brush for mixing and application. Once the tone is to her liking, she spreads it across the dry paper in wide, smooth strokes. You can adjust the brushstrokes with more or less of the mixture. If the tone is too light, allow the first layer to dry and apply a second layer. If the tone is too dark, gently wipe the surface with a paper towel to remove some of the tone.

For toning white or toned paper with charcoal, Savannah uses vine charcoal and a sandpaper pad, scraping the charcoal on the pad to create a fine dust. This method is great for mass drawing, as the charcoal can be removed for highlights. After sprinkling, Savannah gently wipes the paper with a shop towel to spread the charcoal around.