"A well-looking man," said Sir Walter, "a very well-looking man."
"A very fine young man indeed!" said Lady Dalrymple. "More air than one often sees in Bath. Irish, I dare say."
"No. I just know his name. A bowing acquaintance. WentworthCaptain Wentworth of the navy."
Chapter 20, Persuasion
Though Captain Frederick Wentworth may not be Irish, this handsome captain, who stole Anne Elliot's heart before the beginning of Jane Austen's Persuasion, is certainly worthy of his own Aran sweater. This cabled pullover is worked in the round, with a "hybrid" yoke to highlight the Celtic Flourish cable running up the center back and front, flanked by OXO and Superimposed Double Wave cables, and Ensign's Braids (Ensigns were junior officers in the infantry and navy at the time, which Frederick would have been when he first met Anne) running up the sleeves and along the shoulder saddles. This yoke style makes a flattering pullover for any man. To modernize, body and sleeves begin the cable patterns immediately, and it is finished with a simple rolled neck so as not to distract from this cable tour de force.
Pattern includes charts for all cables.
Rigorously tested and professionally tech edited. Previously published in Jane Austen Knits 2011.
An Aran for Frederick is copyright Kathleen Dames and is for individual use only. All rights reserved. You may print this pattern for your own personal use only. You may not distribute this pattern in printed or electronic format, for free or for resale.
Thanks, and happy knitting!
15 stitches and 27 rows = 4 inches in Seed Stitch
2100 yards of Worsted weight
I live and knit in New York City and Bath, Maine, with my husband and our three children, getting my style fix in the one and my New England (Red Sox/cranberry bog/lobster roll/chilly nights in need ...
I live and knit in New York City and Bath, Maine, with my husband and our three children, getting my style fix in the one and my New England (Red Sox/cranberry bog/lobster roll/chilly nights in need of a sweater) fix in t'other.
Though I didn't realize it at the time, I've been a knitwear designer from my first large-scale knitting project, a poncho for which I wanted to use a different yarn than called for, as well as a different stitch pattern. The LYSO helping me with yarn looked at me like I was crazy!
I've always wanted to make things the way I want them. Is that so wrong?
But it wasn't until I read Elizabeth Zimmermann’s books that I found the confidence to really start designing. I prefer working in the round/all in one piece to take advantage of knit fabric's flexibility. Sweaters are my main interest, but I also like accessories and other small projects that allow me to explore new techniques and stitches while watching my children play at the park.
Before diving into knitwear design, I lived in Boston, where I learned to knit, and worked as an art director in book publishing. Happily, the building blocks of design translated from graphic to knitwear for me. It's like writing a sonnet: there are strict rules about form (book covers should display the title and author, sweaters should have openings for head/hands/body and be constructed from knitted fabric), but within those forms there is boundless room for creativity.
My patterns have been published in Knitty.com, Jane Austen Knits, and Knitscene.